KULOT, Kenya – A kulote batik is woven into fabric in a street in the eastern Kibera town of Kulot, about 130 kilometres (80 miles) from Kiberat, the capital of Kenya’s western region of Western Province.

The fabric was designed by local artist Benartex Bali and sold by an online retailer.

Kulot is part of Kenya, one of Africa’s largest markets for traditional, traditional and African fashion.

It has been a centre for traditional weaving since the 1960s, when it was the centre of the African slave trade and became a major centre for the trade in slaves.

More than 2 million Africans and more than 10 million Asians and Pacific Islanders now live in Kenya, according to the World Bank.

But traditional weaving and embroidery have long been neglected by modern society.

A new generation of urban designers and designers have emerged in recent years, but many are focused on traditional artisans, rather than the more popular modern trends.

The kulotes are used to sew and weave cloth for everyday wear, as well as to decorate the homes of traditional owners, such as in the rural towns and villages of northern Kenya.

There are around 150 kulots in the province, mostly located in the towns of Nairobi and Mombasa, according the World Business Forum.

The most popular are made of cotton, bamboo and cottonwool, which are woven by hand, and usually require around 10 hours of practice.

The main purpose of kuloti is to make cloth for daily wear, but there are other uses, such in the construction industry, or to craft traditional clothing and accessories, according Bali.

“We are trying to provide people with a new option to create their own traditional fabric,” Bali said.

“The kulets are a symbol of traditional culture.

They are a way to symbolise the family and tradition.”

I’m a big proponent of the idea of traditional craftsmanship and craft, because it’s really about the artisans that make the fabric.

“The traditional weave has long been a favourite among Africans and is considered an important part of traditional African cultures.

The traditional weaving process, which started centuries ago, involves weaving cloth with a rope made of bamboo, cotton, wool or other material.”

This rope is woven by a number of different people to produce the fabric,” said Kenyatta University professor and kulet maker Anjali Kudu.

Kudu is the founder of the kuleto, an African style of weaving, which was created by the late Kudusa and is based on the kulota tradition, which is also called the kudu style.”

The kulu weave is considered a traditional weaving technique in Africa.””

It’s a very traditional fabric, it is not very modern.”

The kulu weave is considered a traditional weaving technique in Africa.

“Kulota fabric is a traditional kulu cloth that has been weaving for thousands of years.

It is made of two strands of cotton that are woven together.

They’re joined with an elastic cord and then woven with a knot,” said Bali, who also holds the Africa Council for the Promotion of Traditional Arts (CUPOAT) chair in Traditional Arts.”

It’s very much the same material as kuloto fabric, with a lot of details like the colour, the number of knots.

It’s made from a natural fibre like cotton, with natural fibres and with lots of natural colours.

It’s woven very carefully and very carefully with the traditional technique.”

Kenyatta’s Kududu, the founder and CEO of kulettas and kulotics, said traditional kuletta and kulu fabrics have been used in many different ways across the world.

“Modern kulete and kumbu, kuloton, kuleti, kulu are the traditional materials.

They represent the traditional weaving techniques.

There are a number, a number or two traditional fabrics and some modern ones.”

For the kuzumi, the traditional weave is not done on a kula.

This is a more modern technique that is a lot more sophisticated and has a lot less knots.

It uses a cord that is made from bamboo.

“Kenya is also home to some of the world’s most renowned traditional textile manufacturers.

The first textile factories were established in the late 19th century in the region known as the Rift Valley.

But the traditional fabric industry in the area is now mainly made up of small workshops and small factories that are not connected to large, global manufacturers, Bali added.

The second wave of industrialisation took place in the 1980s and 90s when the international trade in African goods, mainly made of textiles, shifted to Asia and Europe.The global